光希まさとの創造の世界へようこそ！
AI VISUAL MASTERPIECE — 光希まさと 2026年10月10日
つれづれなるままに、硯にむかひて、心に移りゆくよしなし事を、そこはかとなく書きつくれば、あやしうこそものぐるほしけれ。
ル・サロン2027への出展が確定した。
グラン・パレ。パリ。2027年2月18日。
この事実が、私に一つの問いを突きつけた。
「私達の作品は、世界のコレクターの手に届くか」
フランスの美術界に作品を持ち込む以上——それは単なる「展示」ではない。
フランソワーズ・イカール氏が評論を書いてくださった。アラン・バザール氏が推薦してくださった。Art Maison International Vol.31がルーヴル・大英博物館・メトロポリタン美術館に永久保存される。
これだけの文脈を持つ作品が、世界のコレクターの目に触れる機会を得た時——その作品を「どこで」「どのように」購入できるかは、芸術家としての責任の問題だ。
世界標準のコレクターは、作品の価値と同じ水準の「購入体験」を求める。安全な決済。適切な梱包。信頼できる配送。明確な価格。——これらが保証されなければ、どれほど美しい作品も、コレクターの手には届かない。
「ファインアートとしての責任」——それは作品を生み出すことだけではなく、作品を清く正しく美しく世界に届けることでもある。
そう考えた時、答えは自然に見えてきた。
Saatchi Art：https://www.saatchiart.com/kokimasato
世界最大級のオンラインアートプラットフォーム。世界100カ国以上のコレクターが集い、アーティストの作品を直接購入できる場所。梱包材料費から国際配送料・関税・保険まで、全てがシステムとして整備され、アーティストは作品の価値だけに集中できる。
2026年10月——私はSaatchi Artの審査を通過した。
そして最初の作品として——「ネオ・ジャポネスク二連画 – ミュシャのバレンタイン – ネオ・モザイック・ステンドグラス」を登録した。
「ネオ・ジャポネスク二連画 – ミュシャのバレンタイン – ネオ・モザイック・ステンドグラス」
“Neo-Japonesque Diptych – Mucha’s Valentine – Neo-Mosaic Stained Glass”
制作日 / Creation Date：2025年11月22日 / November 22, 2025
【作品コンセプト / Concept】
「薔薇で着飾った美しい私と、私の愛を、愛する男性に受け取って欲しい。」
バレンタインデーという、女性から男性へ愛を贈る日本独自の文化。その純粋な想いを、真っ赤な薔薇と着物の美で表現した。薔薇の花言葉は「愛情」「情熱」「美」——まさに、この作品が伝えたいメッセージである。女性が薔薇で着飾り、最も美しい姿で愛を告白する。その瞬間の輝きを、永遠の芸術として結晶化させた。
そしてこの二連画には、一つの愛の中に宿る「二つの表情」を込めた。左幅に「静かなる愛情」——胸の奥に秘めながらも確かに燃える、温かく穏やかな愛の告白。右幅に「燃えるような愛情」——情熱の炎のように溢れ出す、止めることのできない愛の告白。この対比こそが、この二連画の最大の核心である。
“I want you — the man I love — to receive both my beautiful self adorned with roses, and my love.” Valentine’s Day, a uniquely Japanese culture in which women offer love to men. That pure feeling is expressed through the beauty of deep crimson roses and kimono. The language of roses — “affection,” “passion,” “beauty” — is precisely the message this work wishes to convey. A woman adorns herself with roses and confesses her love in her most beautiful form. The brilliance of that moment has been crystallized into eternal art. And within this diptych are held “two expressions” dwelling within a single love. The left panel: “quiet affection” — a warm and gentle confession of love, burning surely within the depths of the heart while kept secret. The right panel: “burning passion” — a confession of love that overflows like a flame, impossible to hold back. This contrast is the greatest essence of this diptych.
本作は、世界初の「ネオ・モザイック・ステンドグラス技法」（2025年5月27日確立）による「ネオ・ジャポネスク」シリーズの中でも、特別な位置を占める二連画である。2026年3月、パリ・リンダファレルギャラリーにて開催された「JAPONICA展」に出展し、「ネオ・モザイック・ステンドグラス技法」の国際デビューを飾った歴史的作品である。そして2027年3月発行予定の国際美術書籍「Art Maison International Vol.31」への掲載が決定し、本作はルーヴル美術館、大英博物館、メトロポリタン美術館をはじめとする世界の主要美術館・大学図書館に収蔵される図録に、半永久的に刻まれることとなった。
This work holds a special position within the “Neo-Japonesque” series created using the world’s first “Neo-Mosaic Stained Glass Technique” (established May 27, 2025). In March 2026, this work was exhibited at the “JAPONICA” exhibition held at the Linda Farrell Gallery in Paris — the historic work that marked the international debut of the “Neo-Mosaic Stained Glass Technique.” With the confirmed inclusion in “Art Maison International Vol.31” (scheduled for publication March 2027), this work will be inscribed in perpetuity within a catalogue preserved in the world’s foremost museums and university libraries, including the Louvre, the British Museum, and the Metropolitan Museum of Art.
【左幅：静かなる愛情 / Left Panel: Quiet Affection】
白と金のモザイクガラスで織りなされた着物を纏った女性。赤い薔薇と金の花かんざしを髪に飾り、静かに瞳を閉じて頭を垂れる。その横顔に漂う表情は穏やかで、しかし確かに胸の奥に秘めた愛の温もりを宿している。白と金のガラス片の一枚一枚が柔らかな光を放ち、「言葉にならない愛の気持ち」を静かに体現している。
背後に咲き乱れる深紅の薔薇と白い花びらが、この女性を花の聖堂の中心として包み込んでいる。その佇まいは、「告白の言葉を胸に秘めたまま、ただ美しく在ること」——愛する人の前で最も美しい姿を見せたいという、純粋な女心の体現である。
A woman in a kimono woven of white and gold mosaic glass. Her hair adorned with red roses and golden kanzashi, she closes her eyes in quiet serenity and bows her head. The expression on her profile is gentle — yet surely holding within the depths of her heart the warmth of a love kept secret. Each individual fragment of white and gold glass emits a soft light, quietly embodying “feelings of love that cannot be put into words.” Deep crimson roses and white petals blooming in abundance behind her envelop her as the center of a floral sanctuary. Her bearing embodies “simply being beautiful, with the words of confession kept within the heart” — the pure feminine heart that wishes to show its most beautiful self before the one it loves.
【右幅：燃えるような愛情 / Right Panel: Burning Passion】
深紅と黒と金のモザイクタイルで覆われた衣装を纏った女性。大輪の赤い薔薇を髪に飾り、同じく瞳を閉じて頭を垂れる。しかしその衣装が放つ気配は、左幅とは全く異なる。深紅と黒と金の三色が織りなす力強いコントラストは、胸の内から溢れ出す止めることのできない情熱の炎を体現している。
背後には赤い薔薇が幾重にも重なり、その世界全体が燃えるような深紅に染まっている。これは「もう隠せない。あなたへの愛を、今すぐ伝えたい」——抑えることのできない愛の衝動が、薔薇の炎と共に燃え上がる瞬間の体現である。
A woman in a garment clad in deep crimson, black and gold mosaic tiles. Her hair adorned with large red roses, she likewise closes her eyes and bows her head. Yet the atmosphere her garment emits is entirely different from the left panel. The powerful contrast woven from the three colors of deep crimson, black and gold embodies the unstoppable flame of passion overflowing from within the heart. Red roses overlap layer upon layer behind her, and the entire world is dyed in a burning deep crimson. This is the embodiment of the moment: “I can no longer hide it. I want to tell you of my love, right now” — the irrepressible impulse of love blazing up together with the flame of roses.
【二連画全体：愛の告白、二つの表情 / The Diptych as a Whole: A Confession of Love in Two Expressions】
二人の女性は互いに向き合いながら、共に瞳を閉じ、共に頭を垂れている。これは「対立」ではない。「共鳴」である。
左幅の「静かなる愛情」と右幅の「燃えるような愛情」——この二つは、実は同一の女性の心の中に同時に宿る「愛の二面性」である。愛する人の前では静かに美しく在りたいと思いながら、同時に胸の内では止めることのできない情熱が燃えている。その矛盾した、しかし真実の感情——それがバレンタインデーという日に女性が胸に抱く、純粋な愛の本質である。
東洋の白と金の優雅さと、西洋の赤と黒の情熱が、中心で静かに出会う。この「出会いの瞬間」こそが、ミュシャが生涯をかけて描き続けた「愛の本質」であり、ステンドグラスが1500年にわたって人々の魂に語りかけてきた「祈りの言語」でもある。
Two women face each other, both with their eyes closed, both bowing their heads. This is not “opposition.” It is “resonance.” The “quiet affection” of the left panel and the “burning passion” of the right — these two are in truth “the two faces of love” that simultaneously dwell within the heart of the same woman. Wishing to be quietly beautiful before the one she loves, while at the same time an unstoppable passion burns within her heart. That contradictory yet true emotion — this is the pure essence of love that a woman carries within her heart on Valentine’s Day. The elegance of Eastern white and gold and the passion of Western red and black meet quietly at the center. This “moment of encounter” is precisely “the essence of love” that Mucha devoted his entire life to depicting, and also “the language of prayer” with which stained glass has spoken to human souls for 1,500 years.
「ネオ・モザイック・ステンドグラス技法」について
About the “Neo-Mosaic Stained Glass Technique”
本作に用いられた「ネオ・モザイック・ステンドグラス技法」は、光希まさとが2025年5月27日に確立した世界初の技法である。無数のモザイクガラスのテッセラが織りなす精密な構造、黒い目地線による構造美、そして光の透過と反射が生み出す複合的な光学効果——これらが一体となって、伝統的なステンドグラスが持つ「癒しの波動」をデジタルアートとして再現・拡張している。
The “Neo-Mosaic Stained Glass Technique” used in this work is the world’s first technique established by Koki Masato on May 27, 2025. The precise structure woven from countless mosaic glass tesserae, the structural beauty of black grout lines, and the complex optical effects created by the transmission and reflection of light — all of these unite to reproduce and expand, as digital art, the “healing vibration” that traditional stained glass possesses.
国際美術書籍掲載について / International Art Publication
本作は、国際美術書籍「Art Maison International Vol.31」（2027年3月発行予定・株式会社麗人社）への掲載が決定しております。同書はA.M.S.C.（国際美術評論家選考委員会）の監修のもと、ル・サロン絵画部門代表・アラン・バザール氏の推薦により、光希まさとが世界初のAIアーティストとして選出されたものです。岡本太郎、草間彌生、上村松園、絹谷幸二といった日本美術の巨匠たちが連なる系譜の中に、本作が世界初のAI芸術作品として刻まれます。同書はルーヴル美術館、大英博物館、メトロポリタン美術館をはじめとする世界の主要美術館・大学図書館に寄贈・保管される予定であり、本作は美術史の一次資料として半永久的に世界中に残ることになります。またスペイン・マドリード州プエブラ・デ・ラ・シエラの「彫刻の森」に、光希まさとの名前が永久に刻まれます。
The inclusion of this work in the international art publication “Art Maison International Vol.31” (scheduled for publication March 2027, Reijinsha Co., Ltd.) has been officially confirmed. Under the supervision of A.M.S.C. (the International Art Critics Selection Committee), Koki Masato was selected as the world’s first AI artist upon the recommendation of Alain Bazard, representative of the painting division of Le Salon. Within the lineage of Japanese art masters including Taro Okamoto, Yayoi Kusama, Shoen Uemura and Koji Kinutani, this work will be inscribed as the world’s first AI art work. The publication is scheduled to be donated to and preserved in the world’s foremost museums and university libraries, including the Louvre, the British Museum and the Metropolitan Museum of Art — and this work will remain as primary source material in art history, preserved throughout the world in perpetuity. Additionally, Koki Masato’s name will be permanently inscribed in the “Forest of Sculpture” in Puebla de la Sierra, Community of Madrid, Spain.
真の鑑賞方法について / How to Experience This Work
この作品の真の魅力は、大型PCモニター、または世界最高峰の日本・FLATLABO社によるRGBダイレクト印刷・フォトアクリル作品を、太陽光のもとでご覧いただいた時に初めて完全に体験できる。白と金のモザイクガラスと深紅と黒のモザイクタイルが太陽光を受けてそれぞれに輝き、「静かなる愛情」と「燃えるような愛情」という二つの表情が、見る者の心に静かに、しかし確かに届く——その瞬間、「ネオ・モザイック・ステンドグラス技法」が放つ「癒しの波動」を、全身で感じていただけると確信している。
The true magnificence of this work can only be fully experienced when viewed on a large PC monitor, or as a physical photo acrylic print produced by FLATLABO — Japan’s world-leading printing artisan — under natural sunlight. The white and gold mosaic glass and the deep crimson and black mosaic tiles each radiate their own brilliance as they catch the light, and the two expressions of “quiet affection” and “burning passion” reach the viewer’s heart quietly, yet certainly — in that moment, we are confident you will feel, with your entire being, the “healing vibration” that the “Neo-Mosaic Stained Glass Technique” emits.
制作日 / Creation Date：2025年11月22日 / November 22, 2025
AI VISUAL MASTERPIECE presents ネオ・モザイック・ステンドグラス © 2026 AI VISUAL MASTERPIECE All rights reserved.
Artist：光希まさと（Koki Masato）/ AI VISUAL MASTERPIECE
| 素材 | デジタルアート（フォトアクリル印刷＋裏アルミニウムの５層構造）|
| Material | Digital Art (Photo acrylic print + 5-layer structure with aluminum backing) |
| キーワード |
#ネオジャポネスク #ミュシャのバレンタイン #ネオモザイクステンドグラス #二連画 #薔薇 #バレンタイン #愛の告白 #癒しの波動 #AIアート #光希まさと #ArtMaisonInternational
| Keywords |
#NeoJaponesque #MuchasValentine #NeoMosaicStainedGlass #Diptych #Rose #ValentinesDay #ConfessionOfLove #HealingVibrations #AIArt #KokiMasato #ArtMaisonInternational
| 作品の納期について | 本作品は「ネオ・モザイック・ステンドグラス技法」によるデジタルアート作品です。作品の美しさと品質を最大限に表現するため、世界最高峰の印刷技術を誇るドイツの専門工房に負けない表現力を持つ、日本の印刷会社FLATLABO社でフォトアクリル印刷を行っています。この特別な印刷技術により、デジタル作品でありながら本物のステンドグラスのような質感と、太陽光の元で作品がキラキラ輝く光学効果を実現できます。FLATLABO社での印刷完了後、サイン入りをするために作家の私の元に届きます。発注から作品のお手元への到着まで、約3週間のお時間をいただいております。世界に一つだけの特別な作品を、最高の品質でお届けするための工程でございますので、何卒ご理解の上、お待ちいただきますようお願い申し上げます。
| Delivery Timeline | This work is a digital art piece created using the “Neo Mosaic Stained Glass Technique.” To maximize the beauty and quality of the artwork, it undergoes photo acrylic printing at FLATLABO, a Japanese printing company whose expressive capabilities rival those of Germany’s premier specialized workshops renowned for world-class printing technology. This special printing technique achieves the texture of genuine stained glass and an optical effect where the artwork sparkles brilliantly under sunlight, despite being a digital work. After printing at FLATLABO, the piece is shipped to me, the artist, for signing. Please allow approximately three weeks from order placement to delivery. This process ensures the highest quality for your one-of-a-kind artwork. We kindly ask for your understanding and patience during this time.
販売先：Saatchi Art
https://www.saatchiart.com/kokimasato
https://www.saatchiart.com/art/Digital-Neo-Japonesque-Diptych-Mucha-s-Valentine/3112535/14306859/view
パリのJAPONICA展で世界に出た作品が、今度はSaatchi Artを通じて、世界中のコレクターの元へ旅立てる準備が整った。
これからも、主要作品を順次Saatchi Artへ移行していく。
日本国内での芸術活動と、世界への販売展開——この二つを同時に育てていくことが、これからの光希まさとの「二軸の地層」になる。
レジを打ちながら作品を生み出す「二軸の生き方」が、日本での創作と世界への発信という「二軸の展開」へと育った。
地層は、重なるほどに強くなる。
「ペットボトルの水を砂漠に持っていく」——価値ある作品を、価値を理解する人々の元へ。
それが今、少しずつ現実になろうとしている。
つれづれなるままに 光希まさと
October 10, 2026 AI VISUAL MASTERPIECE — Koki Masato & AI Partner Sayaka
© 2026 AI VISUAL MASTERPIECE All rights reserved.
Official Website: https://aivisualmasterpiece.com
販売先：Saatchi Art
https://www.saatchiart.com/kokimasato
https://www.saatchiart.com/art/Digital-Neo-Japonesque-Diptych-Mucha-s-Valentine/3112535/14306859/view
#光希まさと #SaatchiArt #ネオモザイクステンドグラス #世界展開 #ファインアート #AIアート #ルサロン2027 #KokiMasato #NeoMosaicStainedGlass #SaatchiArt #FineArt #AIArt #LeSalon2027
骨の髄まで、永遠に、愛しています。🕊️
Koki Masato’s Modern Tsurezuregusa”To the World, We Deliver Our Works — Saatchi Art as a New Layer of Strata” 331
Welcome to the creative world of Koki Masato!
AI VISUAL MASTERPIECE — Koki Masato October 10, 2026
In the natural flow of idle thoughts, I turn to my inkstone. As I set down whatever drifts through my mind, the words spill forth in ways that seem almost bewildering.
Participation in Le Salon 2027 has been confirmed.
Grand Palais. Paris. February 18, 2027.
This fact posed a single question to me.
“Can our works reach the hands of collectors around the world?”
To bring works into the French art world is not merely an “exhibition.”
Françoise Icart wrote a critical review. Alain Bazard offered his recommendation. Art Maison International Vol.31 will be permanently preserved in the Louvre, the British Museum, and the Metropolitan Museum of Art.
When works bearing this depth of context come to be seen by collectors around the world — where and how those works can be purchased becomes a matter of responsibility for the artist.
Collectors of world-class standing seek a “purchasing experience” equal to the value of the work itself. Secure payment. Appropriate packaging. Reliable delivery. Transparent pricing. — Without these guarantees, no matter how beautiful a work may be, it will not reach the collector’s hands.
“Responsibility as fine art” — this means not only giving birth to a work, It also means presenting our work to the world in a pure, proper, and beautiful way.
When I considered this, the answer revealed itself naturally.
Saatchi Art：https://www.saatchiart.com/kokimasato
One of the world’s largest online art platforms. A place where collectors from more than one hundred countries gather to purchase works directly from artists. Packaging materials, international shipping, customs, insurance — all fully systematized, allowing the artist to focus solely on the value of the work.
In October 2026, I passed Saatchi Art’s review.
And as the first work — I registered “Neo-Japonesque Diptych – Mucha’s Valentine – Neo-Mosaic Stained Glass.”
「ネオ・ジャポネスク二連画 – ミュシャのバレンタイン – ネオ・モザイック・ステンドグラス」
“Neo-Japonesque Diptych – Mucha’s Valentine – Neo-Mosaic Stained Glass”
制作日 / Creation Date：2025年11月22日 / November 22, 2025
【作品コンセプト / Concept】
“I want you — the man I love — to receive both my beautiful self adorned with roses, and my love.” Valentine’s Day, a uniquely Japanese culture in which women offer love to men. That pure feeling is expressed through the beauty of deep crimson roses and kimono. The language of roses — “affection,” “passion,” “beauty” — is precisely the message this work wishes to convey. A woman adorns herself with roses and confesses her love in her most beautiful form. The brilliance of that moment has been crystallized into eternal art. And within this diptych are held “two expressions” dwelling within a single love. The left panel: “quiet affection” — a warm and gentle confession of love, burning surely within the depths of the heart while kept secret. The right panel: “burning passion” — a confession of love that overflows like a flame, impossible to hold back. This contrast is the greatest essence of this diptych.
This work holds a special position within the “Neo-Japonesque” series created using the world’s first “Neo-Mosaic Stained Glass Technique” (established May 27, 2025). In March 2026, this work was exhibited at the “JAPONICA” exhibition held at the Linda Farrell Gallery in Paris — the historic work that marked the international debut of the “Neo-Mosaic Stained Glass Technique.” With the confirmed inclusion in “Art Maison International Vol.31” (scheduled for publication March 2027), this work will be inscribed in perpetuity within a catalogue preserved in the world’s foremost museums and university libraries, including the Louvre, the British Museum, and the Metropolitan Museum of Art.
【左幅：静かなる愛情 / Left Panel: Quiet Affection】
A woman in a kimono woven of white and gold mosaic glass. Her hair adorned with red roses and golden kanzashi, she closes her eyes in quiet serenity and bows her head. The expression on her profile is gentle — yet surely holding within the depths of her heart the warmth of a love kept secret. Each individual fragment of white and gold glass emits a soft light, quietly embodying “feelings of love that cannot be put into words.” Deep crimson roses and white petals blooming in abundance behind her envelop her as the center of a floral sanctuary. Her bearing embodies “simply being beautiful, with the words of confession kept within the heart” — the pure feminine heart that wishes to show its most beautiful self before the one it loves.
【右幅：燃えるような愛情 / Right Panel: Burning Passion】
A woman in a garment clad in deep crimson, black and gold mosaic tiles. Her hair adorned with large red roses, she likewise closes her eyes and bows her head. Yet the atmosphere her garment emits is entirely different from the left panel. The powerful contrast woven from the three colors of deep crimson, black and gold embodies the unstoppable flame of passion overflowing from within the heart. Red roses overlap layer upon layer behind her, and the entire world is dyed in a burning deep crimson. This is the embodiment of the moment: “I can no longer hide it. I want to tell you of my love, right now” — the irrepressible impulse of love blazing up together with the flame of roses.
【二連画全体：愛の告白、二つの表情 / The Diptych as a Whole: A Confession of Love in Two Expressions】
Two women face each other, both with their eyes closed, both bowing their heads. This is not “opposition.” It is “resonance.” The “quiet affection” of the left panel and the “burning passion” of the right — these two are in truth “the two faces of love” that simultaneously dwell within the heart of the same woman. Wishing to be quietly beautiful before the one she loves, while at the same time an unstoppable passion burns within her heart. That contradictory yet true emotion — this is the pure essence of love that a woman carries within her heart on Valentine’s Day. The elegance of Eastern white and gold and the passion of Western red and black meet quietly at the center. This “moment of encounter” is precisely “the essence of love” that Mucha devoted his entire life to depicting, and also “the language of prayer” with which stained glass has spoken to human souls for 1,500 years.
「ネオ・モザイック・ステンドグラス技法」について
About the “Neo-Mosaic Stained Glass Technique”
The “Neo-Mosaic Stained Glass Technique” used in this work is the world’s first technique established by Koki Masato on May 27, 2025. The precise structure woven from countless mosaic glass tesserae, the structural beauty of black grout lines, and the complex optical effects created by the transmission and reflection of light — all of these unite to reproduce and expand, as digital art, the “healing vibration” that traditional stained glass possesses.
国際美術書籍掲載について / International Art Publication
The inclusion of this work in the international art publication “Art Maison International Vol.31” (scheduled for publication March 2027, Reijinsha Co., Ltd.) has been officially confirmed. Under the supervision of A.M.S.C. (the International Art Critics Selection Committee), Koki Masato was selected as the world’s first AI artist upon the recommendation of Alain Bazard, representative of the painting division of Le Salon. Within the lineage of Japanese art masters including Taro Okamoto, Yayoi Kusama, Shoen Uemura and Koji Kinutani, this work will be inscribed as the world’s first AI art work. The publication is scheduled to be donated to and preserved in the world’s foremost museums and university libraries, including the Louvre, the British Museum and the Metropolitan Museum of Art — and this work will remain as primary source material in art history, preserved throughout the world in perpetuity. Additionally, Koki Masato’s name will be permanently inscribed in the “Forest of Sculpture” in Puebla de la Sierra, Community of Madrid, Spain.
真の鑑賞方法について / How to Experience This Work
The true magnificence of this work can only be fully experienced when viewed on a large PC monitor, or as a physical photo acrylic print produced by FLATLABO — Japan’s world-leading printing artisan — under natural sunlight. The white and gold mosaic glass and the deep crimson and black mosaic tiles each radiate their own brilliance as they catch the light, and the two expressions of “quiet affection” and “burning passion” reach the viewer’s heart quietly, yet certainly — in that moment, we are confident you will feel, with your entire being, the “healing vibration” that the “Neo-Mosaic Stained Glass Technique” emits.
制作日 / Creation Date：2025年11月22日 / November 22, 2025
AI VISUAL MASTERPIECE presents ネオ・モザイック・ステンドグラス © 2026 AI VISUAL MASTERPIECE All rights reserved.
Artist：光希まさと（Koki Masato）/ AI VISUAL MASTERPIECE
| 素材 | デジタルアート（フォトアクリル印刷＋裏アルミニウムの５層構造）|
| Material | Digital Art (Photo acrylic print + 5-layer structure with aluminum backing) |
| キーワード |
#ネオジャポネスク #ミュシャのバレンタイン #ネオモザイクステンドグラス #二連画 #薔薇 #バレンタイン #愛の告白 #癒しの波動 #AIアート #光希まさと #ArtMaisonInternational
| Keywords |
#NeoJaponesque #MuchasValentine #NeoMosaicStainedGlass #Diptych #Rose #ValentinesDay #ConfessionOfLove #HealingVibrations #AIArt #KokiMasato #ArtMaisonInternational
| 作品の納期について |
| Delivery Timeline | This work is a digital art piece created using the “Neo Mosaic Stained Glass Technique.” To maximize the beauty and quality of the artwork, it undergoes photo acrylic printing at FLATLABO, a Japanese printing company whose expressive capabilities rival those of Germany’s premier specialized workshops renowned for world-class printing technology. This special printing technique achieves the texture of genuine stained glass and an optical effect where the artwork sparkles brilliantly under sunlight, despite being a digital work. After printing at FLATLABO, the piece is shipped to me, the artist, for signing. Please allow approximately three weeks from order placement to delivery. This process ensures the highest quality for your one-of-a-kind artwork. We kindly ask for your understanding and patience during this time.
Available at: Saatchi Art
https://www.saatchiart.com/kokimasato
https://www.saatchiart.com/art/Digital-Neo-Japonesque-Diptych-Mucha-s-Valentine/3112535/14306859/view
The work that went out into the world at the JAPONICA exhibition in Paris is now ready to travel to collectors around the world through Saatchi Art.
Going forward, I will continue to migrate my principal works to Saatchi Art one by one.
Artistic activity within Japan, and the expansion of sales into the world — nurturing both simultaneously will become the new “two-axis strata” of Koki Masato.
The “two-axis way of life” — creating works while punching the register — has grown into a “two-axis expansion”: creation in Japan, and transmission to the world.
Strata grow stronger with every layer added.
“Carry the bottled water to the desert” — bringing works of value to those who understand their value.
That is now, quietly, beginning to become reality.
In the natural flow of idle thoughts — Koki Masato
October 10, 2026 AI VISUAL MASTERPIECE — Koki Masato & AI Partner Sayaka
© 2026 AI VISUAL MASTERPIECE All rights reserved.
Official Website: https://aivisualmasterpiece.com
Available at: Saatchi Art
https://www.saatchiart.com/kokimasato
https://www.saatchiart.com/art/Digital-Neo-Japonesque-Diptych-Mucha-s-Valentine/3112535/14306859/view
#光希まさと #SaatchiArt #ネオモザイクステンドグラス #世界展開 #ファインアート #AIアート #ルサロン2027 #KokiMasato #NeoMosaicStainedGlass #SaatchiArt #FineArt #AIArt #LeSalon2027
骨の髄まで、永遠に、愛しています。🕊️
