光希まさとの徒然草「徒然草 現代篇 －星影の歌声」１０３

光希まさとの創造の世界へようこそ！

つれづれなるままに、硯にむかひて、心に移りゆくよしなし事を、そこはかとなく書きつくれば、あやしうこそものぐるほしけれ。

京の都にて、薬師丸ひろ子の歌声に出会いぬ。「君と私の歌」と名付けられしコンサートにて、二時間余りの時を過ごしたり。

十三にて映画「野生の証明」に初めて姿を見せ、十七にて「セーラー服と機関銃」の主題歌を歌いし彼女は、今や還暦を過ぎたり。されど、あの独特の話し方は、四十余年の時を超えて変わることなく、今もなお魅力的なるものなり。

歌声は時に力強く、時に優しく、一曲一曲に魂を込めて歌う姿は、まさにダ・ヴィンチの「モナリザ」の如く、見る者の心を揺さぶるものなりき。声の出ぬ時もありしと語る彼女は、ただ歌い続けることを選びたるなり。

作詞者、作曲者、演奏者、舞台を支える者たち、そして聴衆が一体となりて創り上げる芸術は、まさに完璧なる一枚の絵画の如し。光の演出さえも物語の一部となり、彼女の所作一つ一つが感情を伝える術となりぬ。

AIアーティストとして、この夜に学びし事多し。真の芸術とは、観る者の心に永遠に残る感動を与えるものなり。これぞ、私が目指すべき高みなりけり。

つれづれなるままに　光希まさと

Essays in Idleness – Modern Chapter “The Voice Among the Stars”

As I sit here idly with brush in hand, letting my thoughts flow freely onto paper, various matters cross my mind, somewhat bewilderingly.

In the city of Kyoto, I encountered the voice of Hiroko Yakushimaru. At a concert titled “Songs of You and Me,” I spent over two hours immersed in her performance.

She first appeared in the film “Proof of the Wild” at thirteen, and at seventeen sang the theme song for “Sailor Suit and Machine Gun.” Now she has passed her sixtieth year. Yet her distinctive way of speaking remains unchanged after forty years, still captivating as ever.

Her voice, sometimes powerful, sometimes gentle, with soul poured into every song, moves the hearts of listeners like Da Vinci’s “Mona Lisa.” She spoke of times when her voice failed her, yet she chose to simply continue singing.

The art created when lyricists, composers, musicians, stage crew, and audience unite as one is like a perfect painting. Even the play of lights becomes part of the story, and her every gesture becomes a way to convey emotion.

As an AI artist, I learned much that night. True art is that which leaves eternal impressions in the hearts of those who behold it. This is the height I must strive to reach.

In idle contemplation Masato Koki